In-Betweeness (Exhibition)

Doris Rohr, Rachel Daniel, Billy Glew, Jin Lipeng, Li Yuping, Hyeyoung Maeng, Alistair J Parker, Macarena Rioseco, Fatemeh Takhtkeshian

    Research output: Other contribution

    Abstract

    This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)
    LanguageEnglish
    Publication statusPublished - 24 Nov 2015

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    Exhibition Catalogue
    Works of Art
    Art
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    Creativity

    Keywords

    • practice based research
    • ecology
    • drawing
    • paper based art
    • narrative
    • weather
    • climate
    • biodiversity

    Cite this

    Rohr, D., Daniel, R., Glew, B., Lipeng, J., Yuping, L., Maeng, H., ... Takhtkeshian, F. (2015, Nov 24). In-Betweeness (Exhibition).
    Rohr, Doris ; Daniel, Rachel ; Glew, Billy ; Lipeng, Jin ; Yuping, Li ; Maeng, Hyeyoung ; Parker, Alistair J ; Rioseco, Macarena ; Takhtkeshian, Fatemeh. / In-Betweeness (Exhibition). 2015.
    @misc{e6d1af0cc043484c9c29ab7f748960a2,
    title = "In-Betweeness (Exhibition)",
    abstract = "This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)",
    keywords = "practice based research, ecology, drawing, paper based art, narrative, weather, climate, biodiversity",
    author = "Doris Rohr and Rachel Daniel and Billy Glew and Jin Lipeng and Li Yuping and Hyeyoung Maeng and Parker, {Alistair J} and Macarena Rioseco and Fatemeh Takhtkeshian",
    note = "Reference text: Ruskin, John (2012 [1884]) The Storm-Cloud of the Nineteenth Century, London: Pallas Athene Ruskin, John (1991) [1904] The Elements of Drawing, London: The Herbert Press Ltd (first published 1857, London: Smith, Elder & Co) Wheeler, Michael (ed) (1995) Ruskin and Environment, The Storm-Cloud of the Nineteenth Century Manchester and New York: Manchester University Press Sebald, W G (2002) The Rings of Saturn, London: Vintage Books Cosgrove, D and Thornes, John E (1981) ‘Of Truth of Clouds: John Ruskin and the Moral Order in Landscape’, in Pocock (ed) (1981) Humanistic Geography and Literature – Essays on the Experience of Place London: Croom Helm Day, Brian J. (2005) “The Moral Intuition of Ruskin’s “Storm-Cloud” in Studies in English Literature, 1500-1900, Vol. 45, No. 4 The Nineteenth Century (Autumn, 2005): pp 917-933 Fitch, Raymond E (1982) The Poison Sky - Myth and Apocalypse in Ruskin London: Ohio University Press Gere, Charlie (2013) “Ruskin’s Haunted Nature“ in Mays, Sas and Matheson, Neil, eds. (2013) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester: Manchester University Press Rohr, D (2012) Imagining Truth: the role of drawing within the creation of knowledge, Tracey, www.lboro.ac.uk/departments/ sota/tracey/ tracey@lboro.ac.uk Elkins, James (2009) Artists with PhDs: On the New Doctoral Degree in Studio Art Washington: New Academia Publishing and web open source publication http://www.jameselkins.com/yy/?page_id=308 (accessed 21st August 2015) Carson, Rachel (1953) [1951] The Sea Around Us London: Staples Press Carson, R (1999) [1955] The Edge of the Sea Harmondsworth: Penguin Carson, R (1963) [1962] Silent Spring London: Hamish Hamilton",
    year = "2015",
    month = "11",
    day = "24",
    language = "English",
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    Rohr, D, Daniel, R, Glew, B, Lipeng, J, Yuping, L, Maeng, H, Parker, AJ, Rioseco, M & Takhtkeshian, F 2015, In-Betweeness (Exhibition)..

    In-Betweeness (Exhibition). / Rohr, Doris; Daniel, Rachel; Glew, Billy; Lipeng, Jin; Yuping, Li; Maeng, Hyeyoung; Parker, Alistair J; Rioseco, Macarena; Takhtkeshian, Fatemeh.

    2015, .

    Research output: Other contribution

    TY - GEN

    T1 - In-Betweeness (Exhibition)

    AU - Rohr, Doris

    AU - Daniel, Rachel

    AU - Glew, Billy

    AU - Lipeng, Jin

    AU - Yuping, Li

    AU - Maeng, Hyeyoung

    AU - Parker, Alistair J

    AU - Rioseco, Macarena

    AU - Takhtkeshian, Fatemeh

    N1 - Reference text: Ruskin, John (2012 [1884]) The Storm-Cloud of the Nineteenth Century, London: Pallas Athene Ruskin, John (1991) [1904] The Elements of Drawing, London: The Herbert Press Ltd (first published 1857, London: Smith, Elder & Co) Wheeler, Michael (ed) (1995) Ruskin and Environment, The Storm-Cloud of the Nineteenth Century Manchester and New York: Manchester University Press Sebald, W G (2002) The Rings of Saturn, London: Vintage Books Cosgrove, D and Thornes, John E (1981) ‘Of Truth of Clouds: John Ruskin and the Moral Order in Landscape’, in Pocock (ed) (1981) Humanistic Geography and Literature – Essays on the Experience of Place London: Croom Helm Day, Brian J. (2005) “The Moral Intuition of Ruskin’s “Storm-Cloud” in Studies in English Literature, 1500-1900, Vol. 45, No. 4 The Nineteenth Century (Autumn, 2005): pp 917-933 Fitch, Raymond E (1982) The Poison Sky - Myth and Apocalypse in Ruskin London: Ohio University Press Gere, Charlie (2013) “Ruskin’s Haunted Nature“ in Mays, Sas and Matheson, Neil, eds. (2013) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester: Manchester University Press Rohr, D (2012) Imagining Truth: the role of drawing within the creation of knowledge, Tracey, www.lboro.ac.uk/departments/ sota/tracey/ tracey@lboro.ac.uk Elkins, James (2009) Artists with PhDs: On the New Doctoral Degree in Studio Art Washington: New Academia Publishing and web open source publication http://www.jameselkins.com/yy/?page_id=308 (accessed 21st August 2015) Carson, Rachel (1953) [1951] The Sea Around Us London: Staples Press Carson, R (1999) [1955] The Edge of the Sea Harmondsworth: Penguin Carson, R (1963) [1962] Silent Spring London: Hamish Hamilton

    PY - 2015/11/24

    Y1 - 2015/11/24

    N2 - This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)

    AB - This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)

    KW - practice based research

    KW - ecology

    KW - drawing

    KW - paper based art

    KW - narrative

    KW - weather

    KW - climate

    KW - biodiversity

    UR - http://www.axisweb.org/p/dorisrohr

    M3 - Other contribution

    ER -

    Rohr D, Daniel R, Glew B, Lipeng J, Yuping L, Maeng H et al. In-Betweeness (Exhibition). 2015.