Abstract
| Language | English |
|---|---|
| Publication status | Published - 24 Nov 2015 |
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Keywords
- practice based research
- ecology
- drawing
- paper based art
- narrative
- weather
- climate
- biodiversity
Cite this
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In-Betweeness (Exhibition). / Rohr, Doris; Daniel, Rachel; Glew, Billy; Lipeng, Jin; Yuping, Li; Maeng, Hyeyoung; Parker, Alistair J; Rioseco, Macarena; Takhtkeshian, Fatemeh.
2015, .Research output: Other contribution
TY - GEN
T1 - In-Betweeness (Exhibition)
AU - Rohr, Doris
AU - Daniel, Rachel
AU - Glew, Billy
AU - Lipeng, Jin
AU - Yuping, Li
AU - Maeng, Hyeyoung
AU - Parker, Alistair J
AU - Rioseco, Macarena
AU - Takhtkeshian, Fatemeh
N1 - Reference text: Ruskin, John (2012 [1884]) The Storm-Cloud of the Nineteenth Century, London: Pallas Athene Ruskin, John (1991) [1904] The Elements of Drawing, London: The Herbert Press Ltd (first published 1857, London: Smith, Elder & Co) Wheeler, Michael (ed) (1995) Ruskin and Environment, The Storm-Cloud of the Nineteenth Century Manchester and New York: Manchester University Press Sebald, W G (2002) The Rings of Saturn, London: Vintage Books Cosgrove, D and Thornes, John E (1981) ‘Of Truth of Clouds: John Ruskin and the Moral Order in Landscape’, in Pocock (ed) (1981) Humanistic Geography and Literature – Essays on the Experience of Place London: Croom Helm Day, Brian J. (2005) “The Moral Intuition of Ruskin’s “Storm-Cloud” in Studies in English Literature, 1500-1900, Vol. 45, No. 4 The Nineteenth Century (Autumn, 2005): pp 917-933 Fitch, Raymond E (1982) The Poison Sky - Myth and Apocalypse in Ruskin London: Ohio University Press Gere, Charlie (2013) “Ruskin’s Haunted Nature“ in Mays, Sas and Matheson, Neil, eds. (2013) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester: Manchester University Press Rohr, D (2012) Imagining Truth: the role of drawing within the creation of knowledge, Tracey, www.lboro.ac.uk/departments/ sota/tracey/ tracey@lboro.ac.uk Elkins, James (2009) Artists with PhDs: On the New Doctoral Degree in Studio Art Washington: New Academia Publishing and web open source publication http://www.jameselkins.com/yy/?page_id=308 (accessed 21st August 2015) Carson, Rachel (1953) [1951] The Sea Around Us London: Staples Press Carson, R (1999) [1955] The Edge of the Sea Harmondsworth: Penguin Carson, R (1963) [1962] Silent Spring London: Hamish Hamilton
PY - 2015/11/24
Y1 - 2015/11/24
N2 - This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)
AB - This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)
KW - practice based research
KW - ecology
KW - drawing
KW - paper based art
KW - narrative
KW - weather
KW - climate
KW - biodiversity
UR - http://www.axisweb.org/p/dorisrohr
M3 - Other contribution
ER -
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