@misc{e6d1af0cc043484c9c29ab7f748960a2,
title = "In-Betweeness (Exhibition)",
abstract = "This exhibition of postgraduate students with Lancaster University's Institute of Contemporary Art (LICA) introduces works that adopt a range of diverse visual approaches and methods, illustrating each contributor's current state of development. The exhibition showcases contemporary approaches to art, referred to as 'practice-based research.' At the forefront of defining new methods, practice-based research allows the creative proecess to form a critical relationship with academic theory. Such interrorgation between creativity and theory intends to bring about new forms of knolwege and new creative practice.(Source exhibition catalogue)",
keywords = "practice based research, ecology, drawing, paper based art, narrative, weather, climate, biodiversity",
author = "Doris Rohr and Rachel Daniel and Billy Glew and Jin Lipeng and Li Yuping and Hyeyoung Maeng and Parker, {Alistair J} and Macarena Rioseco and Fatemeh Takhtkeshian",
note = "Reference text: Ruskin, John (2012 [1884]) The Storm-Cloud of the Nineteenth Century, London: Pallas Athene Ruskin, John (1991) [1904] The Elements of Drawing, London: The Herbert Press Ltd (first published 1857, London: Smith, Elder & Co) Wheeler, Michael (ed) (1995) Ruskin and Environment, The Storm-Cloud of the Nineteenth Century Manchester and New York: Manchester University Press Sebald, W G (2002) The Rings of Saturn, London: Vintage Books Cosgrove, D and Thornes, John E (1981) {\textquoteleft}Of Truth of Clouds: John Ruskin and the Moral Order in Landscape{\textquoteright}, in Pocock (ed) (1981) Humanistic Geography and Literature – Essays on the Experience of Place London: Croom Helm Day, Brian J. (2005) “The Moral Intuition of Ruskin{\textquoteright}s “Storm-Cloud” in Studies in English Literature, 1500-1900, Vol. 45, No. 4 The Nineteenth Century (Autumn, 2005): pp 917-933 Fitch, Raymond E (1982) The Poison Sky - Myth and Apocalypse in Ruskin London: Ohio University Press Gere, Charlie (2013) “Ruskin{\textquoteright}s Haunted Nature“ in Mays, Sas and Matheson, Neil, eds. (2013) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture. Manchester: Manchester University Press Rohr, D (2012) Imagining Truth: the role of drawing within the creation of knowledge, Tracey, www.lboro.ac.uk/departments/ sota/tracey/ tracey@lboro.ac.uk Elkins, James (2009) Artists with PhDs: On the New Doctoral Degree in Studio Art Washington: New Academia Publishing and web open source publication http://www.jameselkins.com/yy/?page_id=308 (accessed 21st August 2015) Carson, Rachel (1953) [1951] The Sea Around Us London: Staples Press Carson, R (1999) [1955] The Edge of the Sea Harmondsworth: Penguin Carson, R (1963) [1962] Silent Spring London: Hamish Hamilton",
year = "2015",
month = nov,
day = "24",
language = "English",
type = "Other",
}