TY - GEN
T1 - Imagined Movement as Sonic Gesture: Auditory Expression from a Deep Learning-Based Motion Decoding BCI
AU - McShane, Niall
AU - McCreadie, Karl
AU - Korik, Attila
AU - Coyle, Damien
PY - 2026/6/23
Y1 - 2026/6/23
N2 - Continuous motion trajectory decoding (MTD) brain-computer interfaces (BCIs) translate imagined limb movements into continuous control signals, traditionally presented through visual feedback such as virtual limbs. This paper extends the multimodal expressivity of MTD-BCIs by introducing embodied sonification as a primary interaction modality. Using previously trained CNN-LSTM decoders for three-dimensional imagined arm movement, we mapped decoded motion and velocity signals in real time to a layered granular synthesis system. The framework employs velocity magnitude to modulate textural density and spectral characteristics, temporal accumulation to shape harmonic evolution, and rest-state detection to define acoustic boundaries between imagined gesture phases. Rather than treating sound as supplementary feedback, this approach positions decoded motion as sonic gesture and a continuous expressive articulation of imagined movement grounded in embodied cognition principles. The multi-layered synthesis architecture demonstrates that complex, many-to-many parameter mappings preserve perceptual coherence between movement dynamics and auditory change, creating a unified motion-audio-visual loop. This proof-of-concept establishes sonification as a viable interaction paradigm for motion-based BCIs, with implications for expressive musical performance, accessible sound-based control, and neurocognitive research into multimodal feedback in embodied human-computer interaction.
AB - Continuous motion trajectory decoding (MTD) brain-computer interfaces (BCIs) translate imagined limb movements into continuous control signals, traditionally presented through visual feedback such as virtual limbs. This paper extends the multimodal expressivity of MTD-BCIs by introducing embodied sonification as a primary interaction modality. Using previously trained CNN-LSTM decoders for three-dimensional imagined arm movement, we mapped decoded motion and velocity signals in real time to a layered granular synthesis system. The framework employs velocity magnitude to modulate textural density and spectral characteristics, temporal accumulation to shape harmonic evolution, and rest-state detection to define acoustic boundaries between imagined gesture phases. Rather than treating sound as supplementary feedback, this approach positions decoded motion as sonic gesture and a continuous expressive articulation of imagined movement grounded in embodied cognition principles. The multi-layered synthesis architecture demonstrates that complex, many-to-many parameter mappings preserve perceptual coherence between movement dynamics and auditory change, creating a unified motion-audio-visual loop. This proof-of-concept establishes sonification as a viable interaction paradigm for motion-based BCIs, with implications for expressive musical performance, accessible sound-based control, and neurocognitive research into multimodal feedback in embodied human-computer interaction.
KW - Sonification
KW - Embodied Cognition
KW - BCI
KW - Motion Trajectory Decoding
KW - Gestural Control
KW - Granular Synthesis
UR - https://nime.org/proceedings/2026/nime2026_98.pdf
UR - https://nime.org/proc/nime2026_98/index.html
UR - https://pure.ulster.ac.uk/en/publications/3ecbd04d-ff07-440a-94ff-178402c6f237
U2 - 10.5281/zenodo.20784295
DO - 10.5281/zenodo.20784295
M3 - Conference contribution
SP - 832
EP - 840
BT - Proceedings of the International Conference on New Interfaces for Musical Expression
PB - Zenodo
T2 - New Instruments for Musical Expression (NIME 2026)
Y2 - 23 June 2026 through 27 June 2026
ER -