Human beings in a theatre made for them: the child’s voice in contemporary theatre for young audiences.

Tom Maguire

doi:10.5871/jba/008s4.017

Human beings in a theatre made for them: the child’s voice in contemporary theatre for young audiences.

Tom Maguire

Research output: Contribution to journal › Article › peer-review

1 Citation (Scopus)

164 Downloads (Pure)

Abstract

This article explores the challenges of including the child’s voice in an artform dedicated to children, Theatre for Young Audiences. In 2020, the international association of theatre for children and young people, ASSITEJ, launched a manifesto to bring the voices of children and artists to every country in the world. However, the experience of children of this theatre made for them is often that their rights are elided with or subordinated to those of adults. A model for addressing this and some examples of practice suggest possibilities for change. This essay examines the capacity and capability required to realise such possibilities within a precarious industry. Committing to hearing children makes demands on those making theatre and those making policy alike.

Original language	English
Pages (from-to)	17-27
Number of pages	11
Journal	Journal of the British Academy
Volume	8
Issue number	supplementary issue 4
DOIs	https://doi.org/10.5871/jba/008s4.017
Publication status	Published (in print/issue) - 14 Dec 2021

Keywords

children's rights
Theatre for Young Audiences
Arts policy
capability
capacity

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

10.5871/jba/008s4.017Licence: CC BY-NC-ND

JBA-8s4-03-MaguireFinal published version, 582 KBLicence: CC BY-NC-ND

https://www.thebritishacademy.ac.uk/publishing/journal-british-academy/8s4/human-beings-in-a-theatre-made-for-them/Licence: CC BY-NC-ND

5 Organising a conference, workshop, ...
2 Oral presentation
1 Invited talk
1 Visiting an external academic institution

Talking TYA Network Conference
Maguire, T. (Member of programme committee)
11 Oct 2024
Activity: Participating in or organising an event › Organising a conference, workshop, ...
‘Shakespeare for Young Audiences’
Maguire, T. (Speaker)
17 May 2023
Activity: Talk or presentation › Invited talk
Learning to Listen
Maguire, T. (Member of programme committee)
4 Mar 2022 → 5 Mar 2022
Activity: Participating in or organising an event › Organising a conference, workshop, ...

1 Citations
4 Chapter
1 Anthology
1 Article

Alternative Worlds: the emergence of Theatre for Young Audiences from the conflict in Northern Ireland.
Maguire, T., 17 Jun 2020, In: Strenae. 16, 15 p.
Research output: Contribution to journal › Article › peer-review

Open Access
File
1 Citation (Scopus)

31 Downloads (Pure)
Watching Girls Watching: Hetpaleis’s Hamilton Complex
Maguire, T., 1 Nov 2020, (Published online) Diversity, Representation, and Culture in TYA. van de Water, M. (ed.). 1st ed. Cape Town: ASSITEJ South Africa, Vol. n/a. p. 46-57 12 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Open Access
File
Theatre for Young Audiences in Ireland
Maguire, T., 7 Oct 2018, The Palgrave Handbook of Contemporary Irish Theatre and Performance. Jordan, E. & Weitz, E. (eds.). 1st ed. London: Palgrave Macmillan, p. 151-164 14 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Open Access
File

Cite this

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abstract = "This article explores the challenges of including the child{\textquoteright}s voice in an artform dedicated to children, Theatre for Young Audiences. In 2020, the international association of theatre for children and young people, ASSITEJ, launched a manifesto to bring the voices of children and artists to every country in the world. However, the experience of children of this theatre made for them is often that their rights are elided with or subordinated to those of adults. A model for addressing this and some examples of practice suggest possibilities for change. This essay examines the capacity and capability required to realise such possibilities within a precarious industry. Committing to hearing children makes demands on those making theatre and those making policy alike. ",

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Human beings in a theatre made for them: the child’s voice in contemporary theatre for young audiences.

Abstract

Keywords

UN SDGs

Access to Document

Fingerprint

Activities

Talking TYA Network Conference

‘Shakespeare for Young Audiences’

Learning to Listen

Research output

Alternative Worlds: the emergence of Theatre for Young Audiences from the conflict in Northern Ireland.

Watching Girls Watching: Hetpaleis’s Hamilton Complex

Theatre for Young Audiences in Ireland

Cite this