TY - ADVS
T1 - Ghost Story
T2 - Ghost Story, Northern Ireland Pavillon, 52nd Venice Biennale
A2 - Doherty, Willie
PY - 2007
Y1 - 2007
N2 - Group Exhibition at 52nd Venice Biennale which exhibited three video works by Willie Doherty - the newly commissionedGhost story (2007) , Closure (2005) and Passage (2006). Ghost story, 2007, is a deft demonstration of how the political and the mythical entwine themselves within collective cultural memory. Taking the viewer down an anonymous tree-lined path, Doherty's camera pans slowly through the dense foliage as it searches for signs of life. The viewer who observes the passing scenery from the seat of an imaginary car is informed that these forests are populated by wraiths. When spotted, these curious creatures signal the imminent death of those that encounter them or one of their close friends or relatives. Comparing these mythical apparitions with the unnerving experience of viewing images of the recently deceased published by the media, Doherty highlights the absurdity of such widespread and unnecessary violence. The spectral presences which haunt Doherty's images serve to remind us that the complex history of his homeland continually evadesthe exacting eye of history and spills out into the lore of its people. Irish Artists exhibiting were Willie Doherty, Gerard Byrne and Judith Wilkinson.
AB - Group Exhibition at 52nd Venice Biennale which exhibited three video works by Willie Doherty - the newly commissionedGhost story (2007) , Closure (2005) and Passage (2006). Ghost story, 2007, is a deft demonstration of how the political and the mythical entwine themselves within collective cultural memory. Taking the viewer down an anonymous tree-lined path, Doherty's camera pans slowly through the dense foliage as it searches for signs of life. The viewer who observes the passing scenery from the seat of an imaginary car is informed that these forests are populated by wraiths. When spotted, these curious creatures signal the imminent death of those that encounter them or one of their close friends or relatives. Comparing these mythical apparitions with the unnerving experience of viewing images of the recently deceased published by the media, Doherty highlights the absurdity of such widespread and unnecessary violence. The spectral presences which haunt Doherty's images serve to remind us that the complex history of his homeland continually evadesthe exacting eye of history and spills out into the lore of its people. Irish Artists exhibiting were Willie Doherty, Gerard Byrne and Judith Wilkinson.
UR - https://www.theguardian.com/artanddesign/2007/jun/12/art
UR - http://4ormat-asset.s3.amazonaws.com/vfs/78197/public_assets/4822824/Wilkison_Circa_Venice.pdf
UR - https://www.jstor.org/stable/25564846?origin=JSTOR-pdf&seq=1#metadata_info_tab_contents
UR - https://www.kqed.org/arts/18020/52nd_venice_biennale_part_one
M3 - Exhibition
Y2 - 1 June 2007 through 21 November 2007
ER -