Filmic representations of the British-Irish conflict since the ceasefires of 1994

Cahal McLaughlin

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

    Abstract

    Critically analysing several films that were produced in the late 1990s, this chapter outlines the political and cultural conditions of a society emerging from violence, arguing that, while some representations remained tied to stereotypes found during the Troubles, others allowed for a more nuanced appraoch. The films under discussion include, 'Michael Collins', 'Nothing Personal', 'Some Mother's Son' and the short film, ''81'.
    LanguageEnglish
    Title of host publicationRelocating Britishness:
    EditorsSteven Caunce, Ewa Mazierska, Susan Sydney-Smith, John Walton
    Pages237-251
    Publication statusPublished - 1 May 2004

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    1990s
    Short Film
    Stereotypes

    Cite this

    McLaughlin, C. (2004). Filmic representations of the British-Irish conflict since the ceasefires of 1994. In S. Caunce, E. Mazierska, S. Sydney-Smith, & J. Walton (Eds.), Relocating Britishness: (pp. 237-251)
    McLaughlin, Cahal. / Filmic representations of the British-Irish conflict since the ceasefires of 1994. Relocating Britishness:. editor / Steven Caunce ; Ewa Mazierska ; Susan Sydney-Smith ; John Walton. 2004. pp. 237-251
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    McLaughlin, C 2004, Filmic representations of the British-Irish conflict since the ceasefires of 1994. in S Caunce, E Mazierska, S Sydney-Smith & J Walton (eds), Relocating Britishness:. pp. 237-251.

    Filmic representations of the British-Irish conflict since the ceasefires of 1994. / McLaughlin, Cahal.

    Relocating Britishness:. ed. / Steven Caunce; Ewa Mazierska; Susan Sydney-Smith; John Walton. 2004. p. 237-251.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

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    McLaughlin C. Filmic representations of the British-Irish conflict since the ceasefires of 1994. In Caunce S, Mazierska E, Sydney-Smith S, Walton J, editors, Relocating Britishness:. 2004. p. 237-251