Filmic representations of the British-Irish conflict since the ceasefires of 1994

Cahal McLaughlin

Filmic representations of the British-Irish conflict since the ceasefires of 1994

Cahal McLaughlin

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Critically analysing several films that were produced in the late 1990s, this chapter outlines the political and cultural conditions of a society emerging from violence, arguing that, while some representations remained tied to stereotypes found during the Troubles, others allowed for a more nuanced appraoch. The films under discussion include, 'Michael Collins', 'Nothing Personal', 'Some Mother's Son' and the short film, ''81'.

Original language	English
Title of host publication	Relocating Britishness:
Editors	Steven Caunce, Ewa Mazierska, Susan Sydney-Smith, John Walton
Publisher	Manchester University Press
Pages	237-251
ISBN (Print)	0 7190 7026 0
Publication status	Published - 1 May 2004

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Cite this

McLaughlin, C. (2004). Filmic representations of the British-Irish conflict since the ceasefires of 1994. In S. Caunce, E. Mazierska, S. Sydney-Smith, & J. Walton (Eds.), Relocating Britishness: (pp. 237-251). Manchester University Press.

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