Filmic representations of the British-Irish conflict since the ceasefires of 1994

Cahal McLaughlin

Filmic representations of the British-Irish conflict since the ceasefires of 1994

Cahal McLaughlin

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

Critically analysing several films that were produced in the late 1990s, this chapter outlines the political and cultural conditions of a society emerging from violence, arguing that, while some representations remained tied to stereotypes found during the Troubles, others allowed for a more nuanced appraoch. The films under discussion include, 'Michael Collins', 'Nothing Personal', 'Some Mother's Son' and the short film, ''81'.

Original language	English
Title of host publication	Relocating Britishness:
Editors	Steven Caunce, Ewa Mazierska, Susan Sydney-Smith, John Walton
Publisher	Manchester University Press
Pages	237-251
ISBN (Print)	0 7190 7026 0
Publication status	Published - 1 May 2004

Fingerprint Dive into the research topics of 'Filmic representations of the British-Irish conflict since the ceasefires of 1994'. Together they form a unique fingerprint.

Cite this

@inbook{6b64fdffb8d0490a9e34ad1c2fdeff0e,

title = "Filmic representations of the British-Irish conflict since the ceasefires of 1994",

abstract = "Critically analysing several films that were produced in the late 1990s, this chapter outlines the political and cultural conditions of a society emerging from violence, arguing that, while some representations remained tied to stereotypes found during the Troubles, others allowed for a more nuanced appraoch. The films under discussion include, 'Michael Collins', 'Nothing Personal', 'Some Mother's Son' and the short film, ''81'.",

author = "Cahal McLaughlin",

year = "2004",

month = may,

day = "1",

language = "English",

isbn = "0 7190 7026 0",

pages = "237--251",

editor = "Steven Caunce and Ewa Mazierska and Susan Sydney-Smith and John Walton",

booktitle = "Relocating Britishness:",

publisher = "Manchester University Press",

address = "United Kingdom",

}

TY - CHAP

T1 - Filmic representations of the British-Irish conflict since the ceasefires of 1994

AU - McLaughlin, Cahal

PY - 2004/5/1

Y1 - 2004/5/1

N2 - Critically analysing several films that were produced in the late 1990s, this chapter outlines the political and cultural conditions of a society emerging from violence, arguing that, while some representations remained tied to stereotypes found during the Troubles, others allowed for a more nuanced appraoch. The films under discussion include, 'Michael Collins', 'Nothing Personal', 'Some Mother's Son' and the short film, ''81'.

AB - Critically analysing several films that were produced in the late 1990s, this chapter outlines the political and cultural conditions of a society emerging from violence, arguing that, while some representations remained tied to stereotypes found during the Troubles, others allowed for a more nuanced appraoch. The films under discussion include, 'Michael Collins', 'Nothing Personal', 'Some Mother's Son' and the short film, ''81'.

M3 - Chapter

SN - 0 7190 7026 0

SP - 237

EP - 251

BT - Relocating Britishness:

A2 - Caunce, Steven

A2 - Mazierska, Ewa

A2 - Sydney-Smith, Susan

A2 - Walton, John

PB - Manchester University Press

ER -