Abstract
This article looks at Tyler Mitchell's call for "a Black utopia" in fashion photography to address a history of misrepresentation and effacement in the medium. It considers his recent monograph, I Can Make You Feel Good, as well as his work for i-D, Dazed, Document, Office, Fader and Vogue, in particular his images of Beyoncé for America Vogue in September 2018.
| Original language | English |
|---|---|
| Pages (from-to) | 8-9 |
| Number of pages | 2 |
| Journal | Source - The Photographic Review |
| Volume | 103 |
| Issue number | 1 |
| Publication status | Published (in print/issue) - 10 Jan 2021 |
Keywords
- Fashion; Photography
- Black culture
- Race
- Utopia