"Farewell Terpsichore – an improvisation on smiles, shadows and breath"

Jenn Ashworth, Charlie Gere, Doris Rohr

    Research output: Contribution to journal › Article

    Abstract

    The text "Farewell Terpsichore – an improvisation on smiles, shadows and breath" is a deliberately unconventional approach towards 'academic writing'. With reference to writer/philosopher Helene Cixous and Jacques Derrida in particular, this text addresses a creative and hybrid practice of words and drawings. Freeing up the stilted conventions of writing in academic contexts informed Rohr's practice-based PhD research project "Drawing on Nature: the Legacy of John Ruskin’s Cosmos" which led on to this new text. The relationship between writing and drawing is of particular concern, alongside other narrative formats of drawing. The article seeks to balance forms referencing script, alphabet or pictorgram with visuals, mostly drawings. Further reference is made to Henri Michaux and Josef Beuys.
    LanguageEnglish
    Pages72-97
    JournalLUNE
    Volume00
    Issue number1
    Early online date15 Nov 2017
    Publication statusE-pub ahead of print - 15 Nov 2017

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    Keywords

    • Text Writing Drawing Poetry Sign Affiliations Networks Memory

    Cite this

    Ashworth, J., Gere, C., & Rohr, D. (2017). "Farewell Terpsichore – an improvisation on smiles, shadows and breath". 00(1), 72-97.
    Ashworth, Jenn ; Gere, Charlie ; Rohr, Doris. / "Farewell Terpsichore – an improvisation on smiles, shadows and breath". 2017 ; Vol. 00, No. 1. pp. 72-97.
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    title = "{"}Farewell Terpsichore – an improvisation on smiles, shadows and breath{"}",
    abstract = "The text {"}Farewell Terpsichore – an improvisation on smiles, shadows and breath{"} is a deliberately unconventional approach towards 'academic writing'. With reference to writer/philosopher Helene Cixous and Jacques Derrida in particular, this text addresses a creative and hybrid practice of words and drawings. Freeing up the stilted conventions of writing in academic contexts informed Rohr's practice-based PhD research project {"}Drawing on Nature: the Legacy of John Ruskin’s Cosmos{"} which led on to this new text. The relationship between writing and drawing is of particular concern, alongside other narrative formats of drawing. The article seeks to balance forms referencing script, alphabet or pictorgram with visuals, mostly drawings. Further reference is made to Henri Michaux and Josef Beuys.",
    keywords = "Text Writing Drawing Poetry Sign Affiliations Networks Memory",
    author = "Jenn Ashworth and Charlie Gere and Doris Rohr",
    note = "Reference text: Arendt, H. (1963), Eichmann in Jerusalem: A Report on the Banality of Evil, New York: Viking Ayerza, J., ‘What is a Picture’ in Lacanian Ink, 9, 1995 Barthes, R. (1977), Image Music Text, trans. Stephen Heath, London: Fontana B{\"o}ll, H. (1992), Heinrich B{\"o}ll’s Best Stories, ed. John Klapper, Bristol: Bristol Classical Press Cixous, H. (1998), Stigmata, trans. Catherine A. F. MacGillivray, London: Routledge Derrida, J. (1993), Memoirs of the Blind: The Self Portrait and Other Ruins, trans. Pascale- Anne Brault and Michael Naas, Chicago: University of Chicago Press Derrida. J. (2003), The Work of Mourning, eds. Pascale-Anne Brault and Michael Naas, Chicago: Chicago University Press Henri Michaux Exhibition Catalogue, Paris: Centre Pompidou, 1978 Henri Michaux, exhibition catalogue, New York: Solomon R Guggenheim Museum, Montreal: Mus{\'e}e national d’art contemporain and Paris: Centre Georges Pompidou, Mus{\'e}e national d’art modern, 1987 Joseph Beuys: The Secret Block for a Secret Person in Ireland, exhibition catalogue, Munich, 1988 Lacan, J. (1977), The Four Fundamental Concepts of Psychoanalysis, trans. Alain Sheridan, London: Hogarth Press Michaux, H. (1951), Postface Mouvements Paris: Le Pint du Jour. NRF {\'E}ditions Gallimard Michaux, H. ‘Signes’, in XXe Si{\'e}cle, 4, January, 1954 Michaux, H. ‘Vitesse e tempo’, Quadrum III, 1957 Michaux, H. (1972), Emergences-R{\'e}surgences, Geneva: Editions d’Art Albert Skira Michaux, H. (1993), Peintures, Paris: Gallimard Miller, J. H. (1992), Illustration, London: Reaktion Books Rohr, D. (2016), Drawing on Nature: The Legacy of Ruskin’s Cosmos, unpublished PhD, Lancaster University , available at http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.695894 Schade (1998), Joseph Beuys: Early Watercolours, Munich: Schirmer Art Books Stewart, N., ‘Alastair MacLennan interviewed by Nicholas Stewart’, Circa Magazine, 13, Nov/Dec, 1983, available at https://vads.ac.uk/collections/maclennan/interviews.htm[accessed 14th August 2017] Temkin, A., Beuys, J., Rose, B., & Museum of Modern Art (1993), Thinking Is Form: The Drawings of Joseph Beuys, London: Thames & Hudson",
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    Ashworth, J, Gere, C & Rohr, D 2017, '"Farewell Terpsichore – an improvisation on smiles, shadows and breath"', vol. 00, no. 1, pp. 72-97.

    "Farewell Terpsichore – an improvisation on smiles, shadows and breath". / Ashworth, Jenn; Gere, Charlie; Rohr, Doris.

    Vol. 00, No. 1, 15.11.2017, p. 72-97.

    Research output: Contribution to journal › Article

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    AU - Ashworth, Jenn

    AU - Gere, Charlie

    AU - Rohr, Doris

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    PY - 2017/11/15

    Y1 - 2017/11/15

    N2 - The text "Farewell Terpsichore – an improvisation on smiles, shadows and breath" is a deliberately unconventional approach towards 'academic writing'. With reference to writer/philosopher Helene Cixous and Jacques Derrida in particular, this text addresses a creative and hybrid practice of words and drawings. Freeing up the stilted conventions of writing in academic contexts informed Rohr's practice-based PhD research project "Drawing on Nature: the Legacy of John Ruskin’s Cosmos" which led on to this new text. The relationship between writing and drawing is of particular concern, alongside other narrative formats of drawing. The article seeks to balance forms referencing script, alphabet or pictorgram with visuals, mostly drawings. Further reference is made to Henri Michaux and Josef Beuys.

    AB - The text "Farewell Terpsichore – an improvisation on smiles, shadows and breath" is a deliberately unconventional approach towards 'academic writing'. With reference to writer/philosopher Helene Cixous and Jacques Derrida in particular, this text addresses a creative and hybrid practice of words and drawings. Freeing up the stilted conventions of writing in academic contexts informed Rohr's practice-based PhD research project "Drawing on Nature: the Legacy of John Ruskin’s Cosmos" which led on to this new text. The relationship between writing and drawing is of particular concern, alongside other narrative formats of drawing. The article seeks to balance forms referencing script, alphabet or pictorgram with visuals, mostly drawings. Further reference is made to Henri Michaux and Josef Beuys.

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    Ashworth J, Gere C, Rohr D. "Farewell Terpsichore – an improvisation on smiles, shadows and breath". 2017 Nov 15;00(1):72-97.

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