Abstract
The Caravan Gallery work to bring photography into a new engagement with the public. By moving from the sanctity of the white cube to the public realm, the opportunity to engage in vernacular study and personal dialogues is pronounced in the work this organisation does. Ken Grant's reading of the work draws a connection between the wry observations and humour in working class culture and aspects of resilience and continuity in working class regions of Britain.
| Original language | English |
|---|---|
| Title of host publication | Extraordinary |
| Place of Publication | Portsmouth |
| Publisher | The Caravan Gallery |
| Pages | 1-2 |
| ISBN (Print) | 978-0-9563901-3-4 |
| Publication status | Published (in print/issue) - 1 Aug 2015 |
Keywords
- photography and communities
- Photography and class
- Documentary photography
- photography and humour
- photobook
