Activities per year
McHugh's work responds to themes of memory and the ephemerality of the human condition in the work of both Basho and Wordsworth. While Basho often revisited ruins and other sites of communal memory, Wordsworth was concerned that human endeavour - including monuments and works of literature - was at risk of destruction through catastrophe and would be outlasted by nature. This work takes as inspiration Wordsworth's The Ruined Cottage and the well-known 'summer grass' haiku from The Narrow Road co the Deep North composed by Basho when he visited the abandoned estate at Hiraizumi, in 1689.
In a haiku written in 1678, Basho refers to the annual procession made by Dutch traders from their enclave in Dejima, Nagasaki, to pay homage to the Shogun in distant Eda. During the Edo Period (1600-1868), it was only the Dutch and Chinese who were permitted to trade with Japan, providing a limited portal to the world. Pottery sherds recovered from Dejima show that the Dutch took British ceramics, including transfer-printed Sunderland pottery, to Japan in the nineteenth century. Through form and surface decoration, McHugh explores the idea of hybridity, blending east and west, and attempting to fuse the work of both poets. His porcelain vessels feature imagery derived from research into ruined industrial sites in Seto, a traditional centre of Japanese pottery production. Setomonogatari is a portmanteau word formed from Setomono - the traditional term for Seto pottery - and monogatari, meaning 'story'. Blades of glass grass grow from the vessels, suggesting the endurance of nature over culture.
|Place of Publication||Itami, Japan|
|Publication status||Published - 17 Sep 2016|
- William Wordsworth
- Matsuo Basho
- kakimori bunko
- Mike Collier
- Christopher McHugh
FingerprintDive into the research topics of 'Exhibition of ceramic artworks Setomonogatari 5 and 6 in the group exhibition 'Wordsworth and Basho: Walking Poets' at Kakimori Bunko Gallery, Itami, Japan, 17.09.16-03.11.16.'. Together they form a unique fingerprint.
Christopher Mc Hugh (Organiser)9 Oct 2019
Activity: Participating in or organising an event › Organising a conference, workshop, ...
Ceramic artwork 'Setomonogatari 6 - The Ruined Cottage' featured in Ceramic Review Magazine, January/February 2018.
Christopher Mc Hugh (Participant)2018
Ceramic Artist in Residence, Seto International Ceramics and Glass Art Exchange Program, Seto City, Japan
Christopher Mc Hugh (Participant)1 Nov 2015 → 22 Dec 2015
Mc Hugh, C., 15 Aug 2020
Research output: Non-textual form › ArtefactOpen AccessFile
Works SetoMonogatari 5,6,7,8: exhibited in Land/Marks, Ceramics Ireland Triennial 2020, Farmleigh Gallery, DublinMc Hugh, C., 15 Aug 2020
Research output: Non-textual form › ExhibitionFile
From Stoke to Seto: The adoption of British ceramic manufacturing techniques and styles in twentieth century JapanMc Hugh, C., 5 Oct 2019.
Research output: Contribution to conference › Other › peer-reviewFile