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Embodied Cognition and the Soundtrack’s Spatiotemporal Contract
Adam Melvin
,
B Bridges
School of Arts & Humanities
Faculty of Arts, Humanities & Social Sciences
Research output
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Contribution to conference
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Paper
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Dive into the research topics of 'Embodied Cognition and the Soundtrack’s Spatiotemporal Contract'. Together they form a unique fingerprint.
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Arts & Humanities
Embodied Cognition
100%
Soundtrack
99%
Sound Design
65%
Music
48%
Timbre
40%
Schema Theory
34%
Image Schema
32%
Cinema
31%
Sound
30%
Gesture
19%
Hearing
18%
Affective
18%
Texture
15%
Diegetic
15%
Embodiment
14%
Materiality
14%
Haptics
14%
Musical Structure
14%
Articulation
13%
Dichotomy
12%
Disintegration
11%
Specificity
11%
Acoustics
10%
Language
10%
Syntax
8%
Communication
7%
Physical
6%