Abstract
his is a research project in collaboration with the Ulster Museum in Belfast (NMNI) and Ulster University. This project will design an immersive VR experience for NMNI’s most popular key exhibit, the Twenty-fifth dynasty Egyptian mummy Takabuti. It will provide the possibility to virtually make Takabuti and the world she knew digitally live again in a VR experience.
The aims of this project are:
(i) to explore the power of rich storytelling – ‘story living’ as a key spatial design tool to improve immersive User Experience (UX),
(ii) to investigate the UX of immersive reality platforms and design and evaluate a narrative driven case study (Takabuti) where the technology has been adopted,
(iii) to subsequently identify and evaluate a series of guidelines for designing immersive technology and improving user experiences, informed by expert and lay user groups.
Recreating in VR a museum map room, part of Karnak temple, an upper-class Egyptian home and an Egyptian afterlife environment based on the beliefs of the time. Documenting and exploring (through Reflective Practise) the fully immersive techniques/tools used to create and develop a ‘story living’ immersive experience with a positive User Experience (UX).
Developing a new form of narrative based design which some term ‘Story living’ is crucial to VR UX design. Unique to all other visual/interactive mediums, VR places participants at the very centre of an experience, as both audience and director of all that happens within that experience. The participant moves through a story, VR is after all a spatial medium and not frames based like film. A current lack of understanding of how to design for VR results in poor UX. Never more so than when the VR experience is museum sector based and has the added roles of historical authenticity, usability, and storyteller educationally to a wide range of participants.
The aims of this project are:
(i) to explore the power of rich storytelling – ‘story living’ as a key spatial design tool to improve immersive User Experience (UX),
(ii) to investigate the UX of immersive reality platforms and design and evaluate a narrative driven case study (Takabuti) where the technology has been adopted,
(iii) to subsequently identify and evaluate a series of guidelines for designing immersive technology and improving user experiences, informed by expert and lay user groups.
Recreating in VR a museum map room, part of Karnak temple, an upper-class Egyptian home and an Egyptian afterlife environment based on the beliefs of the time. Documenting and exploring (through Reflective Practise) the fully immersive techniques/tools used to create and develop a ‘story living’ immersive experience with a positive User Experience (UX).
Developing a new form of narrative based design which some term ‘Story living’ is crucial to VR UX design. Unique to all other visual/interactive mediums, VR places participants at the very centre of an experience, as both audience and director of all that happens within that experience. The participant moves through a story, VR is after all a spatial medium and not frames based like film. A current lack of understanding of how to design for VR results in poor UX. Never more so than when the VR experience is museum sector based and has the added roles of historical authenticity, usability, and storyteller educationally to a wide range of participants.
| Original language | English |
|---|---|
| Publication status | Published online - 20 Oct 2021 |
| Event | BEYOND 2021 Conference: BEYOND 2021 comes from Belfast, Northern Ireland, a region that knows just how intricate the ties between place, identity and power can be. It is also where exciting experiments and ideas are playing out with the expansion of the screen industries right at the heart of a plan for economic renewal. - Titanic Center, Belfast, United Kingdom Duration: 20 Oct 2021 → 21 Oct 2021 https://beyondconference.org/archive/b21/ondemand/?e=76 |
Conference
| Conference | BEYOND 2021 Conference |
|---|---|
| Abbreviated title | #BEYONDCONF |
| Country/Territory | United Kingdom |
| City | Belfast |
| Period | 20/10/21 → 21/10/21 |
| Internet address |
Keywords
- VR
- Immersive Storytelling
- Immersive Experience
- Historical VR
- 6DoF environments