Abstract
In 1821, like a messenger out of the dark (or a literary leg-puller), the English Opium-Eater arrived as if offering some saving play of mind in an obdurately literalising age. He conflated the two most reputedly chthonic regions: Hell, and the East. The language was ravishing, precise, unpredictable, and viscerally xenophobic (‘… in China or Indostan … I was kissed, with cancerous kisses, by crocodiles; and laid, confounded with all unutterable slimy things …’). De Quincey was not to be taken too seriously.
But the author of ‘Confessions’ has inspired some poised indignation. For example, for Albert Goldman, De Quincey was more of a literary taker than a giver, and not least as Wordsworth and Coleridge's most prolific plagiarist. Arguably though, such a criticism looks unhelpfully hard-nosed when one considers the self-consciousness of De Quincey's secondariness, the deeply disturbed state of his mind, and the counter-inflationary quality of his sense of humour.
But the author of ‘Confessions’ has inspired some poised indignation. For example, for Albert Goldman, De Quincey was more of a literary taker than a giver, and not least as Wordsworth and Coleridge's most prolific plagiarist. Arguably though, such a criticism looks unhelpfully hard-nosed when one considers the self-consciousness of De Quincey's secondariness, the deeply disturbed state of his mind, and the counter-inflationary quality of his sense of humour.
Original language | English |
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Pages (from-to) | 272-283 |
Number of pages | 12 |
Journal | Romanticism |
Volume | 27 |
Issue number | 3 |
Early online date | 30 Sept 2021 |
DOIs | |
Publication status | Published (in print/issue) - 31 Oct 2021 |
Bibliographical note
Publisher Copyright:© 2021 Edinburgh University Press. All rights reserved.
Keywords
- Coleridge
- De quincey
- Humour
- Journalism
- Wordsworth