Contaminating the past in the theatre of Martin Lynch.

Research output: Contribution to conferencePaperpeer-review

Abstract

Locating Lynch in the tradition of John McGrath’s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch’s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).
Original languageEnglish
Number of pages11
Publication statusPublished - 2009
EventRadical Irish Theatre Symposium - Liverpool Hope University, Liverpool, United Kingdom
Duration: 6 Feb 20097 Feb 2009

Other

OtherRadical Irish Theatre Symposium
CountryUnited Kingdom
CityLiverpool
Period6/02/097/02/09

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