Abstract
Locating Lynch in the tradition of John McGrath’s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch’s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).
| Original language | English |
|---|---|
| Title of host publication | Unknown Host Publication |
| Publisher | Ateneo de Manila University |
| Number of pages | 11 |
| Publication status | Published - 2011 |
| Event | Radical Irish Theatre Symposium - Liverpool Hope University, Liverpool Duration: 1 Jan 2011 → … |
Other
| Other | Radical Irish Theatre Symposium |
|---|---|
| Period | 1/01/11 → … |
Fingerprint Dive into the research topics of 'Contaminating the past in the theatre of Martin Lynch.'. Together they form a unique fingerprint.
Cite this
Maguire, T. (2011). Contaminating the past in the theatre of Martin Lynch. In Unknown Host Publication Ateneo de Manila University.