Contaminating the past in the theatre of Martin Lynch.

Tom Maguire

Contaminating the past in the theatre of Martin Lynch.

Research output: Contribution to conference › Paper › peer-review

Abstract

Locating Lynch in the tradition of John McGrath’s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch’s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).

Original language	English
Number of pages	11
Publication status	Published - 2009
Event	Radical Irish Theatre Symposium - Liverpool Hope University, Liverpool, United Kingdom Duration: 6 Feb 2009 → 7 Feb 2009

Other

Other	Radical Irish Theatre Symposium
Country	United Kingdom
City	Liverpool
Period	6/02/09 → 7/02/09

Cite this

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title = "Contaminating the past in the theatre of Martin Lynch.",

abstract = "Locating Lynch in the tradition of John McGrath{\textquoteright}s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch{\textquoteright}s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).",

author = "Tom Maguire",

year = "2009",

language = "English",

note = "Radical Irish Theatre Symposium ; Conference date: 06-02-2009 Through 07-02-2009",

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TY - CONF

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AU - Maguire, Tom

PY - 2009

Y1 - 2009

N2 - Locating Lynch in the tradition of John McGrath’s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch’s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).

AB - Locating Lynch in the tradition of John McGrath’s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch’s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).

M3 - Paper

T2 - Radical Irish Theatre Symposium

Y2 - 6 February 2009 through 7 February 2009

ER -

Contaminating the past in the theatre of Martin Lynch.

Abstract

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