Conflicting Account - Touring one person exhibition and related publication commissioned by MCAC, 2009.

Research output: Non-textual formExhibition

Abstract

'The conflicted terrain of the Irish past is occupied by two powerful grand narratives, one loyalist and protestant, the other nationalist and catholic. These furnish different and mutually antagonistic ways of telling the story of Ireland, two competing constructions of the same history. There is no pure form of these two stories, which exist only in the range of their tellings and re-tellings, with numerous variations and difference of emphasis and nuance, across a variety of modes and media of representation.' Graham Dawson Making Peace with the Past, Memory Trauma and the Irish Troubles. MUP 2007 A series of photographic works that examine the disparate and often conflicting narratives of Northern Irish history. Working in history classrooms of Protestant and Catholic schools and on housing projects from both communities the work recovers visual fragments and texts which represent the layering of narrative, a continual writing and re-writing of history and the conflicting rhetoric of two traditions. The research tests ways to make visible cultural, historical and political slippages and contradictions and raises questions about the relationship between memory, identity and opposing readings of history. Originally commissioned by MCAC and also exhibited at Highlanes, Droheda and in the touring exhibiton 'Archiving Place & Time' – Art since the Belfast Agreement – Wolverhampton Museum, Manchester City Art Gallery (catalogue pdf in supplementary information). A number of works included in the exhibition Then & Now: Evolving Art Practices, Lewis Glucksman Museum, Cork.Included in 50th Anniversary Issue of Photography Journal Portfolio who ' invited 50 of the the UK's most significant artiststo contribute 2 pages of their newest works' ed.Nov 2009.
LanguageEnglish
Size15
Publication statusPublished - 2009
EventConflicting Account - MCAC Portadown
Duration: 1 Jan 2009 → …

Fingerprint

Touring
Person
History
Art
History of Reading
Photography
Ireland
Nationalists
Archiving
Layering
Peace
Manchester City Art Gallery
Retellings
Belfast
Irish History
Grand Narrative
Wolverhampton
Loyalist
Visible
Catholic Schools

Cite this

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title = "Conflicting Account - Touring one person exhibition and related publication commissioned by MCAC, 2009.",
abstract = "'The conflicted terrain of the Irish past is occupied by two powerful grand narratives, one loyalist and protestant, the other nationalist and catholic. These furnish different and mutually antagonistic ways of telling the story of Ireland, two competing constructions of the same history. There is no pure form of these two stories, which exist only in the range of their tellings and re-tellings, with numerous variations and difference of emphasis and nuance, across a variety of modes and media of representation.' Graham Dawson Making Peace with the Past, Memory Trauma and the Irish Troubles. MUP 2007 A series of photographic works that examine the disparate and often conflicting narratives of Northern Irish history. Working in history classrooms of Protestant and Catholic schools and on housing projects from both communities the work recovers visual fragments and texts which represent the layering of narrative, a continual writing and re-writing of history and the conflicting rhetoric of two traditions. The research tests ways to make visible cultural, historical and political slippages and contradictions and raises questions about the relationship between memory, identity and opposing readings of history. Originally commissioned by MCAC and also exhibited at Highlanes, Droheda and in the touring exhibiton 'Archiving Place & Time' – Art since the Belfast Agreement – Wolverhampton Museum, Manchester City Art Gallery (catalogue pdf in supplementary information). A number of works included in the exhibition Then & Now: Evolving Art Practices, Lewis Glucksman Museum, Cork.Included in 50th Anniversary Issue of Photography Journal Portfolio who ' invited 50 of the the UK's most significant artiststo contribute 2 pages of their newest works' ed.Nov 2009.",
author = "Paul Seawright",
note = "Outputmediatype: Colour C-Type prints on Di-Bond - perspex faced. Each 120 x 90 cm",
year = "2009",
language = "English",

}

Conflicting Account - Touring one person exhibition and related publication commissioned by MCAC, 2009. Seawright, Paul (Author). 2009. Event: Conflicting Account, MCAC Portadown.

Research output: Non-textual formExhibition

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AU - Seawright, Paul

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PY - 2009

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AB - 'The conflicted terrain of the Irish past is occupied by two powerful grand narratives, one loyalist and protestant, the other nationalist and catholic. These furnish different and mutually antagonistic ways of telling the story of Ireland, two competing constructions of the same history. There is no pure form of these two stories, which exist only in the range of their tellings and re-tellings, with numerous variations and difference of emphasis and nuance, across a variety of modes and media of representation.' Graham Dawson Making Peace with the Past, Memory Trauma and the Irish Troubles. MUP 2007 A series of photographic works that examine the disparate and often conflicting narratives of Northern Irish history. Working in history classrooms of Protestant and Catholic schools and on housing projects from both communities the work recovers visual fragments and texts which represent the layering of narrative, a continual writing and re-writing of history and the conflicting rhetoric of two traditions. The research tests ways to make visible cultural, historical and political slippages and contradictions and raises questions about the relationship between memory, identity and opposing readings of history. Originally commissioned by MCAC and also exhibited at Highlanes, Droheda and in the touring exhibiton 'Archiving Place & Time' – Art since the Belfast Agreement – Wolverhampton Museum, Manchester City Art Gallery (catalogue pdf in supplementary information). A number of works included in the exhibition Then & Now: Evolving Art Practices, Lewis Glucksman Museum, Cork.Included in 50th Anniversary Issue of Photography Journal Portfolio who ' invited 50 of the the UK's most significant artiststo contribute 2 pages of their newest works' ed.Nov 2009.

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