'Conduit'

Brian Bridges

'Conduit'

Research output: Non-textual form › Digital or Visual Products

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Abstract

Conduit is a multichannel electroacoustic composition which aims to explore the compositional possibilities of time-stretching based on phase vocoder technology, particularly related to the qualitative change in the character of sounds with dynamic and rapid time-varying characteristics, such as liquids flowing through various conduits (with instances of recordings taken from rivers, streams and the pipes and radiators of a heating system). The sound transformation processes based on the phase vocoder are perceived as changing the state of the liquid to a gas, with the splashes of water turning to anthropomorphic hisses as the playback rate is slowed. This process mirrors a physical one as some of the other elements of recorded material explore recordings of steam radiators in the reverse process of a transformation from gas to liquid.

Original language	English
Publication status	Published - 9 Jun 2009

Keywords

electroacoustic
tape music
multichannel
phase vocoder

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Conduit-Brian BridgesFinal published version, 22.1 MB

http://www.brianbridges.net

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Bridges, B. (Author). (2009). 'Conduit'. Digital or Visual Products http://www.brianbridges.net

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abstract = "Conduit is a multichannel electroacoustic composition which aims to explore the compositional possibilities of time-stretching based on phase vocoder technology, particularly related to the qualitative change in the character of sounds with dynamic and rapid time-varying characteristics, such as liquids flowing through various conduits (with instances of recordings taken from rivers, streams and the pipes and radiators of a heating system). The sound transformation processes based on the phase vocoder are perceived as changing the state of the liquid to a gas, with the splashes of water turning to anthropomorphic hisses as the playback rate is slowed. This process mirrors a physical one as some of the other elements of recorded material explore recordings of steam radiators in the reverse process of a transformation from gas to liquid.",

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author = "Brian Bridges",

note = "'Conduit' - multichannel tape (8-channel), first presented at Spatial Music Collective Collective 8.4, National Concert Hall, Dublin, June 9th 2009. Also presented at: (1) ISEA 2009 symposium, Spatial Music Collective installation concert, School of Creative Arts, University of Ulster, Magee campus, 25th August 2009. (2) Spatial Music Collective retrospective concert (2006 - 2009), Dublin Fringe Festival, CHQ building, George's Dock, September 10th 2009. (3) Dublin Electronic Arts Festival, Spatial Music Collective 8.5, National Concert Hall, Dublin, 23rd October 2009. Outputmediatype: Multichannel electroacoustic piece",

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N2 - Conduit is a multichannel electroacoustic composition which aims to explore the compositional possibilities of time-stretching based on phase vocoder technology, particularly related to the qualitative change in the character of sounds with dynamic and rapid time-varying characteristics, such as liquids flowing through various conduits (with instances of recordings taken from rivers, streams and the pipes and radiators of a heating system). The sound transformation processes based on the phase vocoder are perceived as changing the state of the liquid to a gas, with the splashes of water turning to anthropomorphic hisses as the playback rate is slowed. This process mirrors a physical one as some of the other elements of recorded material explore recordings of steam radiators in the reverse process of a transformation from gas to liquid.

AB - Conduit is a multichannel electroacoustic composition which aims to explore the compositional possibilities of time-stretching based on phase vocoder technology, particularly related to the qualitative change in the character of sounds with dynamic and rapid time-varying characteristics, such as liquids flowing through various conduits (with instances of recordings taken from rivers, streams and the pipes and radiators of a heating system). The sound transformation processes based on the phase vocoder are perceived as changing the state of the liquid to a gas, with the splashes of water turning to anthropomorphic hisses as the playback rate is slowed. This process mirrors a physical one as some of the other elements of recorded material explore recordings of steam radiators in the reverse process of a transformation from gas to liquid.

KW - electroacoustic

KW - tape music

KW - multichannel

KW - phase vocoder

M3 - Digital or Visual Products

ER -