Abstract
This public lecture sought to interpret the life's work of Royden Rabinowitch. It consists mainly of simple, sculptural metal shapes, arranged on a floor or wall. Using the literature of Samuel Beckett, James Joyce, Terry Eagleton and George Didi-Huberman (on Aby Warburg), as well as a visit to dOCUMENTA (13), Kassel, I elaborate on the emotional, political, historical and philosophical meanings of Rabinowitch's works.The conclusion is that they are addressing the most important issues today and do so credibly and in a paradoxically hopeful way: in a similar vein to how Terry Eagleton describes the political allegiances and impact of Beckett's oeuvre. It is particularly in keeping with the writer's engaged politics and efficacious by not speaking directly about politics.
| Original language | English |
|---|---|
| Title of host publication | Unknown Host Publication |
| Publisher | University of Cologne |
| Number of pages | 0 |
| Publication status | Published - 3 Jul 2012 |
| Event | Sequenzen Series - Kunsthistorisches Institut, Univerity of Cologne Duration: 3 Jul 2012 → … |
Conference
| Conference | Sequenzen Series |
|---|---|
| Period | 3/07/12 → … |
Keywords
- Royden Rabinowitch
- Samuel Beckett
- Sculpture
- Aby Warburg
- Terry Eagleton
- Georges Didi-Huberman
- Art and politics
- Holocaust survivors
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Cite this
Lerm Hayes, C-M. (2012). Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology and Paradoxical Hope. In Unknown Host Publication University of Cologne.