Abstract
This article explores the rape plotlines in Poldark (2015–), Outlander (2014–) and Banished (2015), which mostly take place prior to #MeToo and offer a pre-watershed insight into a time when rape could still be romanticised and eroticised in a way which might not, or at least should not, be possible after October 2017. However, these plots opened up conversations about consent, rape myths and rape fantasy and hence form part of the dialogue and increasingly public awareness about sexual violence which made #MeToo possible in the first place. How fans respond to rape narratives pre- and post-#MeToo is also considered
| Original language | English |
|---|---|
| Pages (from-to) | 379-398 |
| Number of pages | 20 |
| Journal | Critical Studies in Television |
| Volume | 14 |
| Issue number | 3 |
| Early online date | 12 Aug 2019 |
| DOIs | |
| Publication status | Published (in print/issue) - 1 Sept 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- Rape, Period drama
- Banished
- Rape
- period drama
- Outlander
- #MeToo
- Poldark
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Dive into the research topics of '“Calling #TimesUp on the TV period drama rape narrative”'. Together they form a unique fingerprint.Profiles
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Katherine Byrne
- School of Arts & Humanities - Senior Lecturer
- Faculty of Arts, Humanities & Social Sciences - Senior Lecturer
- English Language and Literature Research
Person: Academic
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