Activities per year
Abstract
'Blood' is for the battered knuckles of the bass drummer; 'Thunder' for the deafening sound he creates.
In many ways, probably the name of this project is a misnomer. 'Blood & Thunder' flute bands are no longer those reminiscent of Troubles-era Northern Ireland - loud, aggressive bands playing ultra-basic flute songs designed purely to visually and aurally shock, intimidate and oppress - though the image persists today in the popular imagination.
Since the Good Friday Agreement in Northern Ireland, fuelled (ironically) by stricter rules around parading, the loyalist marching band scene came alive and is now a highly competitive, polished circuit of bands who compete fiercely with each other both indoors and outdoors throughout the calendar year. The scene has become a cottage industry as the bar for skill, style and substance continues to be consistently raised. The scene makes a significant financial contribution to local economies, and in many economically deprived loyalist areas can be the only real community resource available to younger people.
Inspired by Darach MacDonald's book 'Blood & Thunder: Inside an Ulster Protestant Band', I spent two summers following and documenting the burgeoning band scene in Northern Ireland. The photos here are the result of that research and a document of the incredible vibrancy and energy scene at that particular point in its evolution.
In many ways, probably the name of this project is a misnomer. 'Blood & Thunder' flute bands are no longer those reminiscent of Troubles-era Northern Ireland - loud, aggressive bands playing ultra-basic flute songs designed purely to visually and aurally shock, intimidate and oppress - though the image persists today in the popular imagination.
Since the Good Friday Agreement in Northern Ireland, fuelled (ironically) by stricter rules around parading, the loyalist marching band scene came alive and is now a highly competitive, polished circuit of bands who compete fiercely with each other both indoors and outdoors throughout the calendar year. The scene has become a cottage industry as the bar for skill, style and substance continues to be consistently raised. The scene makes a significant financial contribution to local economies, and in many economically deprived loyalist areas can be the only real community resource available to younger people.
Inspired by Darach MacDonald's book 'Blood & Thunder: Inside an Ulster Protestant Band', I spent two summers following and documenting the burgeoning band scene in Northern Ireland. The photos here are the result of that research and a document of the incredible vibrancy and energy scene at that particular point in its evolution.
Original language | English |
---|---|
Media of output | Online |
Publication status | Published (in print/issue) - 1 Jul 2019 |
Fingerprint
Dive into the research topics of 'Blood & Thunder'. Together they form a unique fingerprint.-
Working Titles: Journal for Practice-Based Research (Issue 2 Launch)
Arneill, P. (Participant)
14 Nov 2023Activity: Participating in or organising an event › Participating in a conference, workshop, ...
File -
Podcast: Centre for Irish Studies at Villanova University, PA
Arneill, P. (Speaker)
22 Aug 2022Activity: Talk or presentation › Invited talk
-
I Am Where I’m Not: Fading Orange Landscapes
Arneill, P. (Speaker)
13 May 2022Activity: Talk or presentation › Oral presentation
File
-
Do You See What I See? Revisioning Ireland’s Orange Halls
Arneill, P., 14 Nov 2023, (Published online) In: Working Titles. 2, 9.Research output: Contribution to journal › Essay › peer-review
Open Access -
These Are a Few of My Favourite Things
Arneill, P., 4 Jul 2022, In: Intersections (Postgraduate Journal - Arts , Humanities , Social Sciences). 3, p. 66-69 4 p.Research output: Contribution to journal › Article › peer-review