Beauty and The Beast:: A Dynamic Relationship Between 3D animation and Adaption to Change

Henry Melki; Ian Montgomery; Greg Maguire

Beauty and The Beast: A Dynamic Relationship Between 3D animation and Adaption to Change

Henry Melki, Ian Montgomery, Greg Maguire

Research output: Contribution to journal › Article › peer-review

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Abstract

The animation and VFX creative process is a labyrinthine riddle with unpredictable obstacles and dead ends. In a studio, a film is produced through the various collaborations between different talents with different backgrounds and disciplines. This paper investigates the gap in communication between the diverse talents in the animation studio, by exploring the gothic process as a historical design-oriented team-working models, to highlight the true nature of the animation process within the film industry and define whether it should be treated as an art or a craft.

Original language	English
Number of pages	10
Journal	Journal for Animation History and Theory
Volume	15
Publication status	Published (in print/issue) - 13 Sept 2020
Event	… And Yet It Moves! - University of Padova, Padova, Italy Duration: 3 Jul 2017 → 7 Jul 2017

Keywords

Animation
Digital Film
Visual Effects
Creative Process
Gothic
Industry
Adaption
Craft
Architecture
History

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

Accepted Author ManuscriptAuthor Accepted Manuscript, 267 KB

https://journal.animationstudies.org/henry-melki-ian-montgomery-greg-maguire-beauty-and-the-beast-a-dynamic-relationship-between-3d-animation-and-adaption-to-change/

Cite this

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title = "Beauty and The Beast:: A Dynamic Relationship Between 3D animation and Adaption to Change",

abstract = "The animation and VFX creative process is a labyrinthine riddle with unpredictable obstacles and dead ends. In a studio, a film is produced through the various collaborations between different talents with different backgrounds and disciplines. This paper investigates the gap in communication between the diverse talents in the animation studio, by exploring the gothic process as a historical design-oriented team-working models, to highlight the true nature of the animation process within the film industry and define whether it should be treated as an art or a craft. ",

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