Abstract
During the Rwandan genocide of 1994, members of the Hutu ethnic majority in the east-central African nation of Rwanda murdered an estimated one million people (UN, 2012), mostly of the Tutsi minority, in just 100 days.
The genocide spread throughout the country with shocking speed and brutality, as ordinary citizens were incited to take up arms against their neighbours. 25 years after the genocide a unique initiative pairs perpetrators of the genocide with their surviving victims. They raise a calf together, in an effort to reconcile and develop a sustainable future as an integrated community. Seawright made two trips to Rwanda in 2019 and 2020 – observing reconciliation workshops and meeting perpetrators and survivors of the genocide. His portraits of paired victims and those who killed their families are paired with portraits of the animals they share. The beasts carry the weight of the past and stand as powerful metaphors for post-conflict reconciliation.
This research has been exhibited in Ireland and Germany, with selected works exhibited in USA and one photograph reaching the Zurich Portrait Photograph of the year 2020 shortlist. The 64 page photobook publication visually documents a point in time of the reconciliation process manifested through the Rwandan people and the Beasts of Burden and allows for widespread international dissemination (inc Tate Photobook collection, MPF, ICP Library New York)
The genocide spread throughout the country with shocking speed and brutality, as ordinary citizens were incited to take up arms against their neighbours. 25 years after the genocide a unique initiative pairs perpetrators of the genocide with their surviving victims. They raise a calf together, in an effort to reconcile and develop a sustainable future as an integrated community. Seawright made two trips to Rwanda in 2019 and 2020 – observing reconciliation workshops and meeting perpetrators and survivors of the genocide. His portraits of paired victims and those who killed their families are paired with portraits of the animals they share. The beasts carry the weight of the past and stand as powerful metaphors for post-conflict reconciliation.
This research has been exhibited in Ireland and Germany, with selected works exhibited in USA and one photograph reaching the Zurich Portrait Photograph of the year 2020 shortlist. The 64 page photobook publication visually documents a point in time of the reconciliation process manifested through the Rwandan people and the Beasts of Burden and allows for widespread international dissemination (inc Tate Photobook collection, MPF, ICP Library New York)
| Original language | English |
|---|---|
| Place of Publication | Germany |
| Publication status | Published (in print/issue) - 20 Nov 2020 |
| Event | Beasts of Burden: Always in the Sun - Kerlin Gallery at Art Basel OVR: Miami Beach 2020, New York, United States Duration: 2 Dec 2020 → 6 Dec 2020 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Fingerprint
Dive into the research topics of 'Beasts of Burden : Always in the Sun: Kerlin Gallery at Art Basel OVR: Miami Beach 2020'. Together they form a unique fingerprint.Research output
- 3 Exhibition
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Beasts of Burden: Städtische Galerie Nordhorn
Seawright, P. (Photographer), 9 Mar 2021Research output: Non-textual form › Exhibition
Open Access -
Beasts of Burden: Solo Exhibition
Seawright, P. (Artist), 7 Oct 2021Research output: Non-textual form › Exhibition
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Beasts of Burden / Things Left Unsaid
Seawright, P. (Artist), 20 Nov 2020Research output: Non-textual form › Exhibition
Open AccessFile
Prizes
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