Abstract
This article considers the emergence and development of New Orleans jazz revivalism in terms of a conceptual framework developed around the core category of ‘authenticating’. It developsa grounded theory of authenticating conceptualized as a ‘basic social process’ and constructs a phased trajectory of authenticating that incorporates the major sub-processes identified as‘sourcing’, ‘selecting’, ‘adopting’, ‘adapting’ and ‘progressing’ authenticity. The article sets these sub-processes within competing social worlds of jazz authenticity and purism, as they and their accompanying ideologies have variously emerged and segmented.
Original language | English |
---|---|
Pages (from-to) | 24-52 |
Journal | Popular Music History |
Volume | 7 |
Issue number | 1 |
Publication status | Published (in print/issue) - 1 Feb 2012 |
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Keywords
- authenticating
- authenticity
- Dan Pawson
- grounded theory
- Ken Colyer
- New
- Orleans jazz revivalism
- social worlds