Abstract
Willie Doherty's recent photographic works were made along the US-Mexico border. As his earlier works made at the contested Irish border, the images taken near El Paso allude to situations beyond what is visible in the photographs: precarious conditions, uncertainty, and an escalating erosion of tolerance in the negotiation of frontiers and national boundaries. Doherty’s works investigate the margins of the border where structures become the points of tension, where the illusion of control is enforced, and the false certainties of security and strength are instrumentalised and reinforced.
Fabens, Texas, 2017, Pigment Print, Ed. 1/3, 57.2 x 152 cm (22 1/2 x 59 7/8 in.)
| Original language | English |
|---|---|
| Place of Publication | Zurich, Switzerland |
| Publisher | Galerie Peter Kilchmann |
| Publication status | Published (in print/issue) - 2017 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Fingerprint
Dive into the research topics of 'At the Border, In-Between (Tread Softly, Breathe Gently)'. Together they form a unique fingerprint.-
At the Border, Neutral Zone (Don't look back)
Doherty, W. (Other), 2017Research output: Non-textual form › Body of Work
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No Return: Three artist exhibition (Willie Doherty, Mona Hatoum, and Rita McBride)
Doherty, W. (Photographer), 10 Dec 2017Research output: Non-textual form › Exhibition
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