Abstract
Artificial media is proposed as a core concept of a variety of emergent practices. These practices dissolve the boundaries between local and distributed knowledge through the incorporation of extant data. The implications for design, development and deployment of ubimus ecosystems are manifold. We address some of these issues by focusing on three aspects: the resurgence of cybernetics in the sonic arts, the tensions implicit in interacting with retrieved vs. enacted sonic information and the push toward a conceptual overhaul of creative practice that targets artificial media.
Original language | English |
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Title of host publication | Proceedings of the Ubiquitous Music Symposium 2024 |
Subtitle of host publication | (UbiMus 2024) |
Editors | Gerald Estadieu, Marcello Messina, Carlos Gómez, Damián Keller, Guido Kramann, Martin Koszolko |
Place of Publication | Macao SAR, China |
Pages | 27-29 |
Number of pages | 3 |
Edition | 2024 |
ISBN (Electronic) | ISBN: 978-65-01-18540-8 |
DOIs | |
Publication status | Published online - 18 Feb 2025 |