• York Street, Belfast Campus

    BT15 1ED Belfast

    United Kingdom

  • 7 Citations
  • 1 h-Index
20032019
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Personal profile

Biography

With a background in both art practice and writing about art, Suzanna Chan lectures in art history and theory. Following a period of working and exhibiting as an artist, with a practice principally focused on painting, she went on to undertake a written PhD, completed in 2002.In the Belfast School of Art she teaches history and theory on the foundation course, the BA fine art course, the Masters of fine art course, and supervises PhDs. Research interests include contemporary and modern art and cultural practices; and feminist, postcolonial, poststructuralist and psychoanalytical theories.She is currently completing a book exploring aesthetic, ethical, historical and political relations between migration, diaspora and contemporary art by women .  Published works include several articles and book chapters on articulations and representations of identity, gender, ‘race’, history and place in art and cultural practices.

External positions

Higher Education Advisory Committee

1 Sep 20181 Sep 2021

Fingerprint Dive into the research topics where Suzanna Chan is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

  • 5 Similar Profiles
Art Arts & Humanities
Ireland Arts & Humanities
Artwork Arts & Humanities
Belfast Arts & Humanities
Women Artists Arts & Humanities
Hospitality Arts & Humanities
Reception Arts & Humanities
Sexual Differences Arts & Humanities

Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Research Output 2003 2019

  • 7 Citations
  • 1 h-Index
  • 9 Article
  • 6 Chapter
  • 3 Conference contribution

Speaking of Silence, Speaking of Art, Abortion and Ireland

Chan, S., 2 Jan 2019, In : Irish Studies Review. 27, 1, p. 73– 93 21 p.

Research output: Contribution to journalArticle

abortion
Ireland
speaking
art
amendment

"Alive..again." Unmoored in the Aquafuture of Ellen Gallagher's "Watery Ecstatic."

Chan, S., 16 May 2017, 45, 1&2, p. 246-263

Research output: Contribution to journalArticle

Open Access
File
Artwork
Ellen Gallagher
Murder
African Women
Counter-memory

Aesthetics of Hospitality and Sexual Difference: Chantal Akerman’s De L’Autre Côté/From the Other Side.

Chan, S., 20 Nov 2015, Unknown Host Publication. 5 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Sexual Difference as Hospitality: Chantal Akerman’s 'De L’Autre Côté/From the Other Side’

Chan, S., 10 Apr 2015, Unknown Host Publication. 6 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Sexual Differences
Chantal Akerman
Hospitality
Unconditional
Footage

‘Astonishing Marine Living. Ellen Gallagher’s “Ichthyosaurus” at the Freud Museum’

Chan, S., 1 Oct 2013, Visual Politics of Psychoanalysis. Art and the Image in Post-Traumatic Cultures. Pollock, G. (ed.). London; New York, p. 102-115

Research output: Chapter in Book/Report/Conference proceedingChapter