• Northlands Road, Magee Campus

    BT48 7JL Londonderry

    United Kingdom

20072020

Research output per year

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Research Output

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Conference contribution
2017

Embodied Crosstalk and Psycho–technological Spaces: applying embodied image schema theory to the audiovisual language of Enemy (dir. Villeneuve, 2013)

Bridges, B. & Melvin, A., 1 Oct 2017, Unknown Host Publication. Ball State University, 6 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Exploring Pitch and Timbre through 3D Spaces: Embodied Models in Virtual Reality as a Basis for Performance Systems Design

Graham, R., Bridges, B., Manzione, C. & Brent, W., 15 May 2017, Unknown Host Publication. Aalborg University, p. 157-162 (Archive of NIME Proceedings).

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
2016

Competing Attractions, Orbital Decay and the Music of the Spheres: Force–based relational dynamics for organizing space and timbre in performance using physical modelling

Graham, R. & Bridges, B., 19 Jun 2016, (Accepted/In press) Unknown Host Publication. Korean Electro-Acoustic Music Society, 8 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
File
12 Downloads (Pure)

Sounding Human with Data: The Role of Embodied Conceptual Metaphors and Aesthetics in Representing and Exploring Data Sets

Roddy, S. & Bridges, B., 4 Aug 2016, Unknown Host Publication. University College Dublin, Vol. 1. p. 64-76 85 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
File
30 Downloads (Pure)

Sounding Metaphors in Early Electronic Music’s History: the Interaction of Technological Affordances, Conceptual Metaphors and Aesthetics

Bridges, B. & Graham, R., 23 Mar 2016, (Accepted/In press) Unknown Host Publication. https://ideosite.wordpress.com/, 16 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2015

Electroacoustic Music as Embodied Cognitive Praxis: Denis Smalley’s theory of spectromorphology as an implicit theory of embodied cognition

Bridges, B. & Graham, R., 1 Oct 2015, Unknown Host Publication. Electroacoustic Music Studies Network

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Managing Musical Complexity with Embodied Metaphors

Graham, R. & Bridges, B., 1 Jun 2015, Unknown Host Publication. Louisiana State University, 4 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2014

Gesture and Embodied Metaphor in Spatial Music Performance Systems Design

Graham, R. & Bridges, B., 30 Jun 2014, Unknown Host Publication. Goldsmiths, University of London, p. 581-584 655 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2013

Mapping and Meaning: Embodied Metaphors and Non–localized Structures in Performance SystemDesign

Graham, R. & Bridges, B., 29 Oct 2013, Unknown Host Publication. Copenhagen, Denmark: Re-New Digital Arts Forum, Vol. 1. p. 216-222 344 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2010

Can Sound Function in Music?

Bridges, B., 10 May 2010, Unknown Host Publication. Society for Musicology in Ireland, 6 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

2008

Can Harmony Be Non–Linear? Issues in Microtonal Composition and Perception in Response to Glenn Branca’s ‘25 Questions’

Bridges, B., 5 May 2008, Unknown Host Publication. Society for Musicology in Ireland, 4 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution